EUR €37.00 Please see Wikipedia's template documentation for further citation fields that may be required. Deleuze, Gilles. on JSTOR. Des années 1960 jusqu'à sa mort, Deleuze a écrit de nombreuses œuvres philosophiques très influentes, sur la philosophie, la littérature, le cinéma et la peinture notamment. Contributors: Éric Alliez, Dudley Andrew, Peter Canning, Tom Conley, András Bálint Kovács, Gregg Lambert, Laura U. All Rights Reserved. Oxford University Press is a department of the University of Oxford. GBP £29.00 Published by Oxford University Press on behalf of the Society for French Studies. Cet essai met en évidence les interférences entre pratiques d'images au cinéma et pratiques conceptuelles en philosophie et la zone précise de ces interférences, le rapport entre pensée, mouvement et temps.The subject field is required. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. [Pierre Montebello] -- Deleuze a démontré dans L'image-mouvement et L'image-temps que le cinéma se rapproche de la philosophie par son art du mouvement et du temps. If you originally registered with a username please use that to sign in. If you originally registered with a username please use that to sign in. Reliable information about the coronavirus (COVID-19) is available from the World Health Organization (Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Please check your email address / username and password and try again. © The Author 2013. Your Web browser is not enabled for JavaScript. Marks, Jean-Clet Martin, Angelo Restivo, Martin Schwab, and François Zourabichvili. Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwideFor full access to this pdf, sign in to an existing account, or purchase an annual subscription. This article is also available for rental through DeepDyve. All rights reserved. Cet essai met en \u00E9vidence les interf\u00E9rences entre pratiques d\'images au cin\u00E9ma et pratiques conceptuelles en philosophie et la zone pr\u00E9cise de ces interf\u00E9rences, le rapport entre pens\u00E9e, mouvement et temps.\"@ Search for other works by this author on: Please enter your name.The E-mail message field is required. Try logging in through your institution for access. USD $47.00

Un article de la revue Cinémas (Cinélekta 3) diffusée par la plateforme Érudit. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwideFor full access to this pdf, sign in to an existing account, or purchase an annual subscription. (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...)Chapter 1 Of Images and Worlds: Toward a Geology of the CinemaChapter 1 Of Images and Worlds: Toward a Geology of the CinemaChapter 3 Escape from the Image: Deleuze′s Image-OntologyChapter 3 Escape from the Image: Deleuze′s Image-OntologyChapter 4 The Eye of Montage: Dziga Vertov and Bergsonian MaterialismChapter 4 The Eye of Montage: Dziga Vertov and Bergsonian MaterialismChapter 6 Into the Breach: Between The Movement-Image and The Time-ImageChapter 6 Into the Breach: Between The Movement-Image and The Time-ImageChapter 7 Signs of the Time: Deleuze, Peirce, and the Documentary ImageChapter 7 Signs of the Time: Deleuze, Peirce, and the Documentary ImageChapter 8 The Roots of the Nomadic: Gilles Deleuze and the Cinema of West AfricaChapter 8 The Roots of the Nomadic: Gilles Deleuze and the Cinema of West AfricaChapter 10 Midday, Midnight: The Emergence of Cine-ThinkingChapter 10 Midday, Midnight: The Emergence of Cine-ThinkingChapter 11 The Film Event: From Interval to IntersticeChapter 11 The Film Event: From Interval to IntersticeChapter 12 The Imagination of Immanence: An Ethics of CinemaChapter 12 The Imagination of Immanence: An Ethics of CinemaChapter 13 The Brain Is the Screen: An Interview with Gilles DeleuzeChapter 13 The Brain Is the Screen: An Interview with Gilles Deleuze In the erstwhile West, there is little sympathy for the complex history of the Lebanese civil war; the country′s history has lapsed and collapsed into clichés, foremost of which is the image of a building shattered by bombs from the Israeli-occupied south. Doing philosophy is to be conceived starting...Perhaps we will teach, in two hundred years, that twentieth-century philosophy ended with two hieroglyphics:The misunderstanding in the reading is perhaps linked to an extreme difficulty: the theoretical instrument...The purpose of this essay is not to attempt a general reconstruction of Deleuze′s philosophy of cinema, but only to shed light on the traces of a certain—possibly unintentional, sedimentary, and in any event undeveloped—way of thinking about the history of cinema in his work. Gilles Deleuze est un philosophe français né à Paris le 18 janvier 1925 et mort à Paris le 4 novembre 1995. Please re-enter recipient e-mail address(es).The name field is required.

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